Interview with Rakee Chen: How 3D Modeling and Sound-Reacting Prints are Changing Fashion

Alright, fashion fanatics and digital art junkies, buckle up because Rakee Chen is here to blow your mind. This visionary creative didn’t just stop at sketching garments – they dove headfirst into the wild world of 3D modeling and visual storytelling.

From costume design for films and gaming to stealing the spotlight at London Digital Fashion Week 2024, her journey is what every designer dreams of but few dare to pursue. With sound-reactive prints and cutting-edge technology, Rakee is redefining the future of fashion.

Ready to vibe with the future of fashion? Let’s get into it.

1. Can you give us a brief overview of your background and how you ventured into the intersection of fashion design and digital art?

I have a background in both fashion design and product design. My journey into digital fashion began with my fascination for 3D modeling and visual storytelling. I initially explored product design and later integrated it into fashion.

While working in costume design for films and gaming, I realized how closely fashion and digital art are connected. This led me to experiment with CLO 3D, Blender, and Unreal Engine to create virtual garments, animated fashion presentations, and interactive experiences. One of my key milestones was winning the CLO X Digital Fashion Week Award. 

These experiences led me to London Digital Fashion Week 2024, where I showcased my designs. Through this, I gained a deeper understanding of digital fashion and its possibilities.

2. What inspired the Echo Wanderer collection, and how does it reflect your personal artistic vision?

Echo Wanderer was inspired by musical backpackers—individuals who travel the world with nothing but their instruments, sharing stories through sound. I wanted to capture this sense of movement, rhythm, and cultural fusion in fashion.

In this collection, I created an imaginary world where wanderers travel through the universe’s wild lands. They sit on stones, read poetry, and sing. This is why I chose Antelope Island in winter as the shooting location. 

The dry grass and rocky landscape became the perfect background, reflecting the quiet yet free spirit of these travelers.

I also developed a music-driven pattern generation program, which creates dynamic prints that shift with sound. Each print is unique, organic, and unpredictable. This idea embodies my broader artistic vision—fashion as an evolving, interactive medium rather than something static.

3. How do you see the relationship between music and fashion evolving with technological advancements?

Music and fashion have always been connected, but technology is strengthening this connection. With AI, real-time design tools, and digital fashion, we can now create clothing that changes with music, offering a new way to experience fashion.

In the future, I believe fashion will incorporate more wearable technology, augmented reality, and AI-driven designs that react to sound or the environment. 

Imagine clothing that changes color or pattern at a concert or digital outfits in the metaverse that move with the beat. These innovations will merge music, fashion, and digital art in exciting ways.

4. Can you describe the technology behind the sound-reactive patterns in your designs? What software and hardware were involved?

The sound-reactive patterns were created using a custom program that translates audio frequencies into visual shapes and movements. I used Touch Designer to process the sound input and generate dynamic patterns. 

The program analyzes different sound waves, such as bass, melody, and rhythm, then converts them into organic, fluid visuals that serve as the basis for fabric prints.

To ensure the prints aligned correctly with the garment designs, I tested projections on a mannequin. This helped me visualize how the patterns would appear on fabric before printing. 

For 3D visualization, I worked with CLO 3D and Blender, which helped simulate how the prints would interact with different materials. Photoshop and Illustrator were then used to refine colors and composition before applying digital textile printing and sublimation techniques.

5. What were the biggest technical challenges you faced while developing this collection, and how did you overcome them?

One of the biggest challenges was translating digital patterns into physical prints and constructing the garments. My designs feature large silhouettes, padded structures, and quilted details, so it took time to ensure the prints matched the garment shapes.

Another challenge was sewing the quilted designs. I incorporated quilting techniques based on the printed linework, making the construction process much more complex. The padded pieces required careful stitching to maintain their shape, and I also added buttonhole details to enhance the 3D effect of the quilted jackets.

6. What materials did you choose for the Echo Wanderer collection and why?

I experimented with digital printing and water transfer printing on different fabrics before finalizing my choices. In the end, I selected cotton shirting, corduroy, and ice silk stretch fabric. Each material reacted to the prints in a unique way, creating distinct visual effects.

For accessories, I applied water transfer printing to metal and leather, resulting in reflective shoes and masks with a futuristic, otherworldly aesthetic.

7. How do you balance aesthetic appeal with functionality when selecting materials and technologies for your designs?

I focus on both visual impact and wearability. When choosing materials, I test how they feel, move, and react to printing and sewing. If a fabric looks great but is too stiff or uncomfortable, I adjust it by changing the weave, mixing materials, or modifying the finish. 

For structure, I use leather for shaping outerwear and lightweight down-filled functional fabrics for padding. I also add knit materials to improve fit and softness. These choices help balance comfort and durability while keeping the design strong.

Since Echo Wanderer is a conceptual collection, I focused more on the artistic side. However, I plan to develop the prints into a commercial line, where I will prioritize comfort and longevity while keeping the original design essence.

8. What was it like showcasing Echo Wanderer at NYFW 2025?

It was an exhilarating experience. Seeing the collection come to life on the runway was surreal. The industrial-style ceiling, concrete backdrop, and reflective flooring perfectly complemented my designs.

I wanted the audience to experience the collection as a journey, so I focused on the movement of the models, the accompanying music, and how the prints responded to motion. The contrast between fluid fabrics and structured, quilted pieces made a strong impact.

Being part of NYFW also allowed me to connect with industry professionals, designers, and media. Shortly after the show, I received invitations to showcase at Utah World Fashion Week and Milan Fashion Week, making the experience even more rewarding.

9. How did the audience and critics respond to the technological aspects of your collection?

The response was very positive. People were interested in the sound-reactive prints and how they were developed. Beyond the fashion world, I received collaboration offers from musicians who want to turn their sound into custom music-inspired prints. 

This idea excites me because it pushes the connection between fashion and music even further. We are also exploring new ways to apply water transfer printing in jewelry design. This could open up more possibilities for merging digital prints with accessories

Additionally, I have joined designer platforms like Not Just A Label and Flair Fashion, which help showcase my work to a wider audience. I’m happy that my designs are being seen and appreciated.

10. Could you walk us through your creative process from concept to runway?

My creative process begins with a clear concept. For Echo Wanderer, I imagined a world where travelers move through cosmic landscapes, reciting poetry and singing. This vision shaped the silhouettes, prints, and material choices. 

I start by collecting references and sketching ideas, focusing on how textures, colors, and movement can bring the story to life. At the same time, I develop sound-reactive prints using Touch Designer, which transforms audio frequencies into visual patterns.

When preparing for the runway, I consider how lighting, set design, and music interact with the collection. At NYFW 2025, the industrial ceiling, concrete walls, and reflective flooring created a setting that aligned perfectly with the collection’s futuristic yet raw aesthetic.

11. How do you stay creative and where do you usually seek inspiration for your designs?

I get inspiration from films, music, and nature. Sci-fi movies often influence my storytelling, and I’m drawn to experimental sound and visuals. My past work in costume design for films and games also plays a big role. 

I love creating clothing that feels like part of a bigger universe. For example, my 3D fashion project ‘The Wrapped’ was inspired by Dune. I built a desert temple scene for it, making sure the garments and the environment felt connected. 

My fashion designs always have a complete world behind them, just like how SCHNABBIT has its own future city and a story about animal gene mutations.

I also experiment with technology and materials. Sometimes, testing a new digital tool or printing method sparks new ideas. For Echo Wanderer, my trip to Antelope Island in winter influenced the organic, raw feel of the collection, from textures to color choices.

12. What are the next steps for you in exploring fashion and technology? Are there any particular technologies or artistic themes you’re eager to explore?

I want to continue expanding the conversation between fashion, technology, and music. One of my upcoming projects involves collaborating with musicians to create sound-reactive prints that transform audio into wearable patterns, merging sonic expression with visual design. 

Additionally, I am developing Echo Wanderer into a virtual showroom, allowing audiences to engage with the collection in an immersive digital space. 

At the same time, I am preparing for Metaverse Fashion Week, where I will further explore the convergence of physical and digital fashion, building on my previous work in this space.

Beyond garments, I am expanding my exploration of jewelry and accessories using water transfer printing. Having already applied this technique to metal and leather for reflective shoes and masks, I am now pushing its potential in jewelry design, collaborating with skilled artisans to refine and elevate the process.

As my work continues to gain recognition within the industry, I also want to make the creative and technical aspects of fashion technology more accessible. 

I am planning to release a series of tutorial videos documenting my process—from concept development to execution—providing insight into techniques that are shaping the future of design. 

By sharing this knowledge, I hope to inspire the next generation of designers to embrace the possibilities at the intersection of fashion and technology.

13. Do you have any upcoming projects or collaborations that you can tell us about?

I am expanding Echo Wanderer into a virtual showroom, allowing people to experience the collection in an interactive digital space. At the same time, I am preparing for Metaverse Fashion Week, where I will continue exploring the relationship between fashion and digital environments.

I am also developing jewelry and footwear using water transfer printing. I have tested this technique on metal and leather for reflective shoes and masks, and I am now working on custom jewelry pieces that integrate digital aesthetics. 

At the end of June, I will showcase my accessory and jewelry collection in Miami, introducing my designs to a new audience.

14. What advice would you give to aspiring designers who want to integrate technology into their fashion designs?

Exploring fashion technology requires constant experimentation. There is no single right way. Designers need to test, adjust, and refine their ideas.

Fashion is always changing, but the key is to develop a core skill and use it to adapt. Instead of chasing every new tool or trend, focus on mastering a technique first, then find ways to innovate with it. Collaboration can also open new creative directions. 

Working with programmers, digital artists, or musicians brings fresh perspectives and expands possibilities. Technology moves fast, so staying open to learning is essential.

15. How important is it for new designers to push the boundaries of traditional fashion design?

New designers bring fresh ideas, but they also need support and resources to experiment. Unlike established brands, emerging designers have limited budgets for technology, making it harder to take creative risks.

While connections and funding affect opportunities, technical skills and creativity define how far someone can go. The key is to focus on what’s within reach, develop strong design skills, build a compelling portfolio, and stay adaptable.

Innovation is not just about using new technology. It can also be about rethinking materials, exploring sustainability, or creating new ways for people to experience fashion. 

16. What kind of impact do you hope to have on the fashion industry?

Fashion is not just about clothing; it’s an interactive experience that bridges the digital and physical worlds. Through my work, I aim to push the boundaries of fashion by integrating technology in a way that is both innovative and practical. Rather than seeing digital fashion as a niche or experimental field, I approach it as a powerful tool for design, production, and artistic expression.

By collaborating with artists, developing wearable technology, and exploring projects such as music-reactive prints, digital showrooms, and metaverse fashion, I want to demonstrate how technology enhances creativity rather than replacing it. 

My goal is to inspire designers to view fashion as fluid and adaptable, expanding its possibilities beyond traditional garments into interactive, immersive experiences.

17. What legacy do you wish to leave as a pioneer at the intersection of fashion and technology?

I hope to leave behind a more open and forward-thinking vision of fashion—one that embraces freedom, innovation, and endless possibilities. Traditional fashion can sometimes be rigid, but technology has introduced transformative ways to create, experience, and interact with design. 

Whether through sound-reactive prints, virtual showrooms, or AI-assisted design, my work explores how fashion can evolve beyond clothing into immersive and interactive experiences.

Beyond my own practice, I also want to provide future designers with accessible resources to help them navigate the world of fashion technology with greater ease. 

Fashion is constantly evolving, and I hope my work encourages others to challenge conventional thinking, redefine the boundaries of fashion, and develop new design languages that resonate with the needs of a rapidly changing world.

The Future of Fashion, According to Rakee Chen

If one thing is clear from this conversation, it’s that Rakee Chen isn’t just designing clothes—they’re shaping the way we experience fashion. Their work challenges the idea that garments should be static, instead turning them into dynamic, interactive pieces that connect with sound, movement, and even emotion.

What makes Rakee’s vision stand out is the way they blend creativity with craftsmanship. Rather than using technology as a gimmick, they integrate it in a way that enhances storytelling, function, and artistry. 

From experimenting with sound-reactive textiles to exploring new ways to print on unconventional materials, their approach is hands-on, deeply intentional, and always pushing the limits of what fashion can be.

Looking ahead, Rakee’s upcoming ventures—including a virtual showroom and new explorations in jewelry and accessories—signal an exciting shift toward fashion that’s immersive, tactile, and deeply personal. 

Whether it’s through textile innovation, digital spaces, or unconventional material choices, they are proving that the future of fashion is about more than just trends—it’s about meaningful, boundary-pushing design.

With invitations to global fashion weeks and growing interest from creatives across industries, Rakee Chen is on a path to redefine the industry, one innovative collection at a time. And trust us, this is just the beginning.